Casandra Hillman, Dance Coordinator (Full Time)
Casandra Hillman is a dance educator, choreographer, collaborator and dance historian. She has been performing, teaching and choreographing in the San Francisco Bay Area since 2003 and in Santa Cruz since 2011.
Casandra holds her MFA in Dance from Mills College and her BFA in Dance from the School of Music and Dance at SFSU. Her understanding of movement and the human body is informed by her study of Ballet, Laban Movement Analysis, Bartineff, Jazz, Hip Hop and Limon, Cunningham and Graham modern dance techniques. She has performed the choreographic works of Molissa Fenley, Kathleen McClintock, Dr. Alberta Rose, Susan Whipp and the late Alicia Pierce. She has also performed in the re-staging of Martha Graham’s Primitive Mysteries and re-staged the choreography of Agnes DeMille’s Carousel. She was an Adjunct Professor of Dance at Cabrillo College in Aptos 2010-2016 and during her time there served the community as a Santa Cruz Arts Council Associate and SPECTRA Artist.
Casandra is the Founder/Artistic Director of URBAN INDUSTRY Dance Company, an all-female Contemporary Hip-Hop company that has performed in National Dance Week, Santa Cruz Hip Hop Festival, Max-10 and Cultural Caliente. Casandra has also been a visiting artist at Marin School of the Arts, Golden State Theatre and a Master Instructor at ACDA.
Carrie Stillman, Instructor- firstname.lastname@example.org
Carrie Lynn Stillman received her M.A. in dance from CSU, Long Beach (2001) and her B.A. in dance from UC, Santa Barbara (1992), and has been on the dance faculty at SRJC since fall 2000.
Carrie has also worked as a certified Pilates instructor since 1995, and owns her pilates-based studio, Mindful Movement, in Santa Rosa.
She has choreographed, danced, and co-directed for several local dance companies and studios in a variety of settings throughout Sonoma and Marin counties since 1992 to the present.
Carrie is continuously striving to stay open, innovative, and present through movement expression and education, not letting the ego block conscious creativity, with the intention of propelling students into a positive state of being through learning and self discovery.
Alexandra Cummins, Instructor -email@example.com
Alexandra received her MFA in Performance and Choreography from Mills College as well as a BA in Theater Arts with a concentration in dance from Sonoma State University. She has trained in various dance techniques including musical theater, jazz, tap, ballroom, rhythm, ballet, and modern. Alexandra presently teaches at UC Berkeley and the Academy of Art University. In addition, Alexandra was the resident choreographer/dance instructor for Roustabout Theater in the north bay and served as the dance department head for Frenchwoods Performing Arts in upstate New York. She has had the pleasure of performing around the Bay Area in works by Merce Cunningham, Sheldon Smith, Sonya Delwaide, Scott Wells, Kristen Daley, Nancy Lyons, and Mark Haim. She has also been privileged to perform with Barclay Broadway Dance Company in San Francisco, CA. Alexandra competes in Future Champions and Jack & Jill competitions through Arthur Murray.
Dawn Urista, Instructor- firstname.lastname@example.org
Dawn Urista received her MFA in Dance from the University of Oregon in 2011 and graduated from UC Irvine in 2002 with degrees in both Dance and History. Prior to her MFA studies at the University of Oregon she performed professionally in San Francisco with group A dance and with the Conservatory of Classical Ballet.
She has participated in the Royal Danish Ballet’s summer intensive in Copenhagen where her instructors included Thomas Lund, Vivi Findt, Johnny Eliasen, Eva Draw, and Raymond Rodriguez.
In collegiate and professional work she has danced for Alexandrous Ballard, Sue Borgeson, Tamara Grose, Walter Kennedy, Valerie Ifill, Alyssa Lee, Donald McKayle, Ann Fisher-Ratto, Michael Lowe, Sally Streets, Xiao Liu-Moore, Larry Rosenberg, Glenda Carhart, and David Allen; and has acquired a repertory of post-modern dance as well as classical and contemporary ballet.
Her MFA research entails a comparison of two versions of Giselle's Mad Scene and a look into the historical and cultural reasons for different characterizations. She also harbors an unholy lifelong love of books, bookmaking, and letterpress design and enjoys incorporating the temporality of dance with the physical imprint of the bound pages.
Tamara Grose, Instructor- email@example.com
Born into a family of dance, Tamara began her training under the tutelage of her parents in Charlotte, N.C. Her mother was a ballet instructor of the highest International Cecchetti Instructor status, and Director of Charlotte City Ballet. Her father was a national ballroom and tap instructor and served as president of D.M.A. and D.E.A. The studio was involved with Hit Productions TV and commercial filming. Tamara went on to further her dance education earning a B.F.A. from the University of North Carolina School of the Performing Arts, Harkness House on scholarship, Certificate of Accomplishment with High Honors in Cecchetti levels 4-6 at Michigan State University’s Cecchetti Conferences, and other numerous national and international dance institutes. A few of Tamara’s major influences have been Lar Lubovitch, Finis Jung, Margaret Craske, Melissa Hayden and David Howard. Ms. Grose has extensive teaching experience having taught for, Allegra Kent Ballet School in Scarsdale, N.Y., Brooklyn College Dance Department, Master Classes on U.S.A. tour with The Artist in the Schools Residency Program. Tamara was offered the choice of soloist or Ballet Mistress for N.C.D.T., she chose a professional dance career.
Lea Brown- Poisson, Instructor - firstname.lastname@example.org
Lea Brown-Poisson finished her BA in Dance at CSU Long Beach (2003), after transferring from SRJC where she received her AA and Certificate Degree in Dance. She has found that her experiences and education were immensely imperative in her development as a performer, choreographer, and teacher. Lea has always enjoyed the art and joy of performing, the creative process of collaboration with others, the composition experience and results of choreographing. As a performer, she has worked as a Warrior Girl for the NBA's Golden State Warriors and a Gold Rush member for the NFL's San Francisco 49ers. Lea has performed with modern dance companies in the North Bay such as De/Em Dance Collective and Expressive Motion. Also, she loves practicing methods of teaching dance that will help dancers to maximize their potential. Lea has not only danced but choreographed, taught, and coached dance locally for years and she loves teaching people of different characteristics and those of diverse abilities.
Alyce Finwall, Instructor: email@example.com
Tanya Tolmasoff, Instructor - firstname.lastname@example.org
Tanya Tolmasoff has been an instructor at Santa Rosa JC Dance Department since 2015. Her dance classes have a strong emphasis on artistic collaboration, contemporary ballet & release technique, Modern improvisation, choreography and performance quality. She holds her MA in Arts Administration & Cultural Policy from Goldsmith University London, and a BA in Theatre, Dance, and Costume Design from Cal Poly, SLO. She is the Artistic Director and Co-Founder of UPside Dance Company in California since 2012, bringing innovative dance to unconventional spaces. Tanya Tolmasoff is also the newest dance instructor at ArtQuest at Santa Rosa High School. Tanya has performed Internationally with Variable Velocity Performance Group (California), Deyo Dances (California and St. Petersburg, Russia), Interweave Dance Theatre (Colorado), AMP: Dance (NYC), RE:DS Dance Company (London, UK), and a Viennese Circus Act. As a designer she created Theater costumes for off-Broadway productions in NYC and directed a Californian Fashion Company called Melanie Renee Design.
Nzinga Woods, Instructor - email@example.com
Nzinga Woods is a dancer, teacher, choreographer, performer, and explorer of movement and embodied knowledge. Nzinga's dance and performance training includes: jazz, modern, Dunham, Afro-Cuban, hip hop, and Afro-Haitian dance, as well as multimedia, theatre and somatic techniques. A native of Sacramento, she has danced with and choreographed for many dance companies and organizations in Northern California. She has traveled around the world from Caribbean, Europe and Asia dancing and also working with school aged youth. Nzinga received her B.A. and M.A. at CSU Sacramento, and completed her M.F.A. in Performance and Choreography at Mills College. She has performed in the works of Ronald K Brown, Sonya Delwaide, Jawole Willa Jo Zollar, Nicholas Leichter, Brenda Way, Jacinta Vlach, Yvonne Rainer, Linda Goodrich, Marc Bamuthi Joseph, Halifu Osumare and Keith Washington. In addition to performance and choreography, Nzinga is also passionate about youth empowerment through the arts and remains an active educator in her community. Nzinga Woods was also named Sonoma County's EDUCATOR OF THE YEAR in 2018.